
So this is really an NPR listener success story for me. I was listening to 848, a local Chicago program, and there was a story I couldn't for the life of me recount for anyone at this show. Looking back now it was a story on a documentary called
Rosevelt's America, about a Liberian refugee struggling to make a life for himself and his family in America. Pretty interesting stuff. But then leading out of that story they put on
this fantastic music and describe the band playing it in way that had me sold immediately. When the announcer said they were playing in Chicago that night I had completely forgotten the story that lead into the music, and was on the phone making plans to go. So unfortunately that means I missed the broadcast of the documentary on PBS last night, and it doesn't look like it will be rerun anytime soon. I guess it's not a complete success story then, but that would be my flaky fault. Still, I got a live introduction to
Konono No. 1!
Konono No. 1 is a Congolese band whose sound centers around three thumb pianos amplified and distorted by microphones constructed by hand from car parts. Each piece is built to be tuned in a specific range and amplified in a unique way. The result is almost like having an electric bass guitar and two regular electric guitars with different amps or bodies. But all three share the unique cadence that comes from flicking the metal ribbons with alternating thumbs. The droning, evolving melodies they spin out are really entrancing. The
review of their Live in Tokyo album on emusic.com (an awesome subscription indie DRM-free download site) makes a point of drawing a connection between their sonic style and the fact that the Congo produces, but does not export, large quantities of cannabis.
So besides the thumb pianos, they have three drummers beating out a rhythm which will shake you out of any melodic trance. At least one of them also punctuates his drum-sentences with blows to a whistle that gives the sound a carnivale/military cast. There was also a spectacularly attired female vocalist/dancer, plus the lead thumb pianist sang most of the time. The show was truly awesome, and it was interesting to see them in this kind of dank bar venue with a mostly young, white hipster audience. I was personally pleased with the extent to which they were moving and throwing their hands up in unison, at least near the stage. My only disappointment was that the band was using the bar's sound system instead of the intensely loud, distorted megaphone PA that most descriptions of them tout. See
here for such a description, with pictures of the homemade setup that was absent at the Empty Bottle. Maybe you have to see them on the streets of Kinshasa for that.
Stay tuned, I'll probably feature one or two more shots from the show. This one was my favorite, but doesn't give you much detail of the band.